Showing posts with label Mercury Music prize. Show all posts
Showing posts with label Mercury Music prize. Show all posts

Thursday, 31 December 2009

2010 is going to be the big one...

This time of year tends to be dominated by dissections of the year just gone, written by journalists who seem to think everyone apart from them has been in a coma for the past 12 months. But not here! No, I thought it would be better to tell you what is happening next year instead. Predictions? Not quite – I have it on good authority the following is 99.9% likely to happen within the year.

January: BBC Sound of 2010 is announced and my choice will either be shockingly overlooked or will win. If the later I will spend the following 12 months squirming as my choice embarrasses me by releasing a less than satisfactory album and saying stupid things on Twitter like: “Oh, highlight of my career - I’m going to be in Grazia next week.”

February: Typically the coldest and most depressing month of the year but not for 2010. A freak heat wave will prompt a revolution in British music with Mark E Smith releasing a calypso influence album, and Morrissey teaming up with H from Steps to produce an record called Everything is Great. Charlie Brooker is seen walking out of the Apple store on Regent Street, smiling.

March: After Fun February things take a turn for the worse when Simon Cowell chokes on his own smugness and dies. The nation is officially in mourning.

April: 175,000 people return their Glastonbury tickets when they realise that Michael Eavis’ ‘festival to remember’ may not include one of their favourite bands headlining on the Pyramid stage. Billy Bragg announces a gig in the leftfield tent with a special guest appearance from Nick Griffin. 175,000 people buy their tickets back again.

May: I go to Camden Crawl and have an absolutely amazing time.

June: At Glastonbury Michael Eavis gets wasted, storms on stage and tells Bono he’s a cunt. The audience walks out in protest. They all go up to The Park where they suddenly realise all the best stuff has been happening anyway. Emily Eavis is heard muttering ‘I told you so’.

July: It’s not as hot as we thought it might be and it rains an awful lot. Everyone acts surprised.

August: Lilly Allen moans about something on Twitter and then goes out and buys some more boots and panties. Everyone blames Stephen Fry.

September: Mercury Music Prize nominations are announced and everyone complains how meaningless they are but then goes out and buys the winning album anyway. The following week nobody can remember who won.

October: To mark the first anniversary of Stephen Gately’s death Jan Moir releases a record in aid of the Terrence Higgins Trust called I’m not homophobic (some of my best friends are gay).

November: Sufjan Stevens wins X-Factor

December: I run out of blog ideas, consider quitting the blogosphere and then decide against it. I write a review of the best of 2010 (making little reference to my predictions in 2009).

Happy New Year everyone, see you in 2010!!

Wednesday, 9 September 2009

The two exceptions to the rule


A mistress can never allow a roving eye. However there are two women for whom I would chuck the notion of fidelity on the outdated ideas pile, along with slavery, burning witches and voting Labour.

The first of these gorgeous ladies is Ms Lauren Lavern. Not only is she beautiful, glamourous and funny, but I have also had the pleasure of meeting her (if albeit briefly) and can testify to her genuine all round loveliness. The thing that really rocks my boat however is her passion for music.

I have never understood why so few women are into music. I have several female friends and family members that don't own a single album. The worst offenders however are women who have 'inherted' their boyfriend/husband's iPods when they upgraded. Included in this inheritance package is all his music. I mean, what's that all about...? That's like wearing someone else's underpants...after they've pissed in them.

Those women who do buy music tend to stick to the safe bets - Robbie Williams, Beyonce or The Kooks. Very few seem interested in actively seeking out new music and I don't understand why. Music, as far as I see it, isn't a gender specific thing. It's not like cars or computers or other boring men stuff, that's just about cogs, wheels, nuts and bolts. Music is about art, beauty and the thing men fear most...feelings!

I am a self confessed new music geek. I spend far too much time online reading blogs, downloading tunes and buying tickets to see new bands just because I like their name (can't wait to see Dinosaur Pile Up!). But I feel a bit lonely in my music fetish men's world. So the lovely Lauren warms my cockles and makes me feel a little less alone.

My second dazzling doll is Venus de Milo look-a-like, Florence Welsh (of Florence and the Machine). On hearing last night's Mercury Music Prize Award announcement I cursed and spat in the eyes of Speech Debelle, screaming from the rooftops (or at least my Facebook page): "Florence you was robbed!!!".

I'm not one to be caught up in hype. I genuinely think her album is the best I have heard all year: her voice has amazing range and sends shivers down my spine; her lyrics pack a punch (Drumming Song); she writes with beauty on the most original subjects (My Boy Builds Coffins); and god dam-it she just makes me want to dance (Dog Days).

She reminds me PJ Harvey in that there's a feminist heart to her music. In some ways she's better than Harvey who could be a bit heavy handed with the snakes and bleeding symbolism. But boy, how many women do I think of when I hear Kiss With A Fist. Way too many for my own liking.

After I'd got over the horrible injustice of it all I actually went back and listened again to Speech Debelle and relented slightly. My first sneery 'She's just a black female Mikey Streets' changed to 'Hey, cool, she's like a black female Mikey Streets', because actually I think the world needs a black female British hip hop star, especially after the sad demise of Ms Dynamite.

And this is why I think the Mercury Music Prize is important. The Guardian reports today that this is the first time a woman has won the prize in seven years. It gives young black women in South East London a platform. I think that's reason enough to keep the awards and I personally will be watching again in 2010.